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Category: DEAD CITY
Dead City – interactive musical experience
The Dead City is an interactive experience referring to Erich Wolfgang Korngold’s opera about the fate of a Flemish city and its inhabitant living with the cult of memory of the past. In Krzysztof Grudziński’s version it is a city of the pandemic era, empty and lonely, but full of digital life. The poetic narration, based on the original libretto, is accompanied by singing, contemporary music and travestied elements of the original composition. The visual layer refers to graphic forms popular on the Internet – vaporwaves and gifs – and the aesthetics of independent video games.
Krzysztof Grudziński – director, screenwriter, producer of games, films and music videos (e.g. bAranovski, Agim, Natalia Nykiel), virtual production manager and narrator, professor at the Warsaw Film School. Winner of the Munk Studio programme “30 Minutes”, producer of the feature film Magdalena. Creator and producer of video games: Apocalipsis: Harry at the End of the World, Aida, This is the Zodiac Speaking, Barnfinders VR, Poopin. Nominated and awarded at KTR, YACH, ARS iNDEPENDENT, Fryderyki, Cinemaforum, Pixel Heaven festivals, among others. Finalist of the Papaya Young Directors competition.
VR ‘Dead City’ during (long) weekend of immersion in the STUDIO
Pre-premiere screenings of ‘Dead City’ will be presented during (long) Weekend of Immersion at the STUDIO Theater.
Dead City was directed by Krzysztof Grudziński in the VR / AR vnLab Studio.
June 17 – June 19 (Friday-Sunday) 2022
“Dead City” is a narrative experience with elements of singing, contemporary and opera music, based on the poetic text of Erich Wolfgang Korngold’s libretto of the same title. In pandemic-stricken Warsaw, the protagonist travels to the most important places in the city, saying goodbye to his deceased wife.
Friday, June 17: 15:00, 15:45, 16:30, 17:15, 18:00
Saturday and Sunday, June 18-19: 15:00, 15:45, 16:30, 17:15, 18:00, 18:45, 19:30, 20:15
Admission based on any ticket to the Weekend of Immersion, prior booking recommended
DEAD CITY – an interactive VR and opera experience
The Dead City is an interactive VR and opera experience that combines elements taken from the film narrative, game mechanics and opera. The plot and libretto refer to Erich Wolfgang Korngold’s 1920 work with the same title. The original opera, written a century ago, took place in Bruges, while the contemporary Dead City is Warsaw during the pandemic: empty, gloomy and nostalgic. Paul, the protagonist, grieves for his recently deceased wife by visiting places significant for their relationship.
We enter the couple’s house, go to their favorite cinema Iluzjon and for a date in the Palace of Culture. We pass by the Rajkowska’s palm tree, which used to be a symbol of their first vacation, and continue to Warszawa Powiśle railway station, where they met for the first time. We look at the city skyline from the Intercontinental hotel and visit the Savior Square. Dark depths of the Vistula river mark the end of our trip – right here under the Świętokrzyski Bridge, is the place of their farewell. Paul dissolves and transforms into a morphing, black void. We hear the voice of his beloved Maria, saying her goodbyes: “Everything is a memory, and nothing dies because there is nothing. Stay calm, stay peaceful, nothing dies because there is nothing and there is everything”. In the alternative version, the protagonist is Maria.
The user is led by a narrator, who represents the inner voice in the user’s head. At some point the user becomes the protagonist of the opera. Depending on their choice at the beginning, the user is Paul or Maria. The user has the possibility to move within the scenes — levels, using a continuous movement technique. They follow an internal voice that is placed in their “head”. The voice leads them to places where they interact with given objects that run holograms and pieces of music. This is how they get to know the story.
The starting point was experiencing pandemic. Director Krzysztof Grudziński asked himself questions about what we leave behind in this modern world. He watched videos showing people suffering from Covid-19, where they said goodbye to their loved ones, shared their fear of death. Suddenly, after times when we lived flooded with information, at a high pace, chasing numbers of likes and followers on Facebook, and in a sense of fake closeness built by the online surroundings, we are left alone facing crucial and ever-changing, archetypal notions such as “death” or “love”. The question arises: what is left of our “digital” record.
The world of the experience is Warsaw in the times of pandemic recreated in 3D. We use well-known, recognizable locations like Cinema
Iluzjon, the Palace of Culture and Science, the National Museum in Warsaw, the palm by Joanna Rajkowska (Greetings from Jerusalem Avenue installation), Świętokrzyski Bridge, promenade and steps by the Vistula River.