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Erasmus XR IO3 – Case Studies 

Polish premiere of VR Self on the Immersion Festival in Warsaw

The School, a world – interactive observation document

In Side – 3D stereoscopic short movie

Subtotals by Mohammadreza Farzad – a meditation on the uncertainties of life

Self – understanding the otherness

Closed Space – immersion in jiutamai dance

The Cave – adaptation of a classical Platonic metaphor

Multiverse – a multi-layered world in VR installation

Endless VR segue – sensual essay about identities in process

Wish You Were Here – anti-documentary that breaks the rules of VR

Pilot 9/11 – the story about coming out of trauma

Simple Songs about death – a technological meditation on death

Control Negative – the exercise in loss

Dead City – interaktive musical experience

Interactive Narratives and Essay Film Studio at 39. Kasseler Dokfest

Shooting of ‘In Side’ movie wrapped up

World premiere of VR Control Negative at Dok Leipzig

“Deep Dive” at Belfast XR Festival

VR Nightsss presented at The Camera Action Festival

The symposium was held on September 23-24, 2022 at the National Gallery in Athens

Multiplier Event: The art and design of XR

September 2022: training for academic staff on the use of immersion technologies was organized by The National and Kapodistrian University of Athens.

Erasmus XR LTT Activity in Greece

Nominations for the Polish Film Institute Award

IO2 – syllabi

The Erasmus XR Summer School took place from 11 to 15 July 2022, on the campus in Msida belonging to the University of Malta

Erasmus XR Summer School

New Visual Narratives in Lodz is now over!

Golden Apricot Award for “Subtotals” at GAIFF2022

“Subtotals” at international film festivals

“Subtotals” at IFF New Horizons! 

VR ‘Dead City’ during (long) weekend of immersion in the STUDIO

IO1 – study program

“New Visual Narratives” conference on July 1-3, 2022

Polish premiere of “Subtotals” at MDAG

“Nightsss” at the Kinoteka Polish Film Festival in London

Conference „New Visual Narratives”

Module 1: the future of film?

Module 2: Visual essay and interactive narratives

Module 3: Audience and business models

Katja Schupp – Back to the future – interactive and immersive formats as an opportunity for non-fiction storytelling

Piotr Francuz. Virtual worlds from the evolutionary, neurocognitive, methodological and axiological perspective

Grzegorz Mazurek. Business models in media in the times of digital transformation.

Patrick von Sychowski. Cinema is an experience.

Marta Materska – Samek. Cinematic VR Business Model – A disruptive or a sustaining change?

Geogre Legrady. From hardwired to automation: visual narrative through computation

Roderick Coover. Cinema of immersion, interaction and database

Sara Kolster. To click or not to click?

Kuba Mikurda. An essay in space

Gaëlle Mourre. Do humans still have a monopoly on creativity?

Ludger Pfanz. Space-Time Narratives

Pola Borkiewicz. New XR narrative paradigm

Domna Banakou. Being somebody else: the future of narrative storytelling

Sylvia Rothe. Timeline vs Spaceline

“Subtotals” at Berlinale!

BEHIND THE SCENES: 2021 in the S3D Lab